The Girl with the Windup Heart – Title Not Relevant


I’ve finished The Girls with the Windup Heart by Kady Cross. That’s pretty much the gist of it.

I’ve always had something good to say about Cross’ work, but I feel as if this “novel” was a cop-out. It was the final novel in her Steampunk Chronicles and it was the shortest. I’m sorry but in any good series the books get fatter, not thinner. My shelf is a testament to this fact.

Cross was too dependant on her reader already being invested in both her characters and the relationships the characters shared that she didn’t put much effort into them. Not to mention the whole Mila and Jack dynamic was just a way to force an end to the love triangle between Finnley, Jack, and Griffin. I mean, really.

Also, the title refers to Mila, who yes is a large part of the novel but at this point she has a real, blood pumping, fleshy heart. I do not like irrelevant titles. It irks me.

Cross still had her punchy writing style, which got me to finish, but clearly she’s done with the series and needed a way to end it. Cliches and predictability to sum up something she clearly no longer has interest in. I can’t blame her really, if you’re not passionate about it anymore, it’s really not worth it.

Anyways, my copy of Queen of Shadows by Sarah J. Maas finally arrived! I pre-ordered the paperback. My copy of Throne of Glass is paperback and I can’t have a series in different covers, it kills me. Yes, I have issues. I’m well aware. I’m so excited to read it, and look! This instalment is thicker than the last! Maas, you do it right.

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The Night Circus – Yeah, Okay.


I’ve just finished reading The Night Circus by Erin Morgenstern. I have mixed feelings about this one.

Normally, you’d find me rattling off the praise for the novel first off, but there’s something that truly had me struggling with this novel. The execution of the actual sentences was poor. So many times I had to stop and re-read a sentence or two because I honestly did not understand what Morgenstern was trying to convey. Many of the sentences were wordy and unnecessarily long. I’ve always found that great writing conveys exactly what is meant to be conveyed in as few words as possible. Yes, I know that we embellish and add words for flourish and style, but Morgenstern’s sentence structures felt fumbled and in disarray rather than stylistic.

That being said, I did enjoy the story as a whole, even though I felt that the organization of her multiple perspective structure could have used some more work. Some pieces didn’t seem to fit in the flow of things, others seemed obsolete nearing the end and didn’t need to be there.

However, despite all these technical flaws the story itself was well thought out. The characters were rich and vibrant, while the challenge surrounding the circus is what kept me reading.

My favourite characters, which will likely be everyone’s favourite characters, were Poppet and Widgets. Their mixture of brilliance and innocence made them so enchanting. Plus, I just love red-heads.

The concept of the circus itself was wonderful and well described. Each tent had it’s own individual personality that resinated well on the page. I found when I was reading the descriptions of each tent that I fumbled far less over the sentence structure.

My final verdict for this novel would be to read it, only for the general story idea, rather than the execution of it. I’m, of course, very picky when it comes to the execution of an idea and for me it needs to be done well so that I can immerse myself in a novel without tripping over awkward sentences. But, unlike me, a lot of people won’t notice these things that grind my gears.

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Don’t Ever Stop – The Wise Man’s Fear


Dear Readers,

I apologize for the delay in reviews, but I’ve been indulging in The Wise Man’s Fear by Patrick Rothfuss for months. Yes, months. I’m a slow reader by nature, but I’ve been savouring this novel because, simply put, it is amazingly written.

Rothfuss likes to take his sweet time writing a novel, so I thought I’d do the same when enjoying it. If I ever become half as good a writer as Rothfuss I can die knowing that I’ve accomplished something incredible.

The subtle way in which Rothfuss uses language to convey a sensation or feeling is masterful. His words, while sometimes seemingly simple are clearly deliberate. There was not one word in The Wise Man’s Fear that I could have done without.

The story flows in such a way that you feel as if you’re traveling down a river in a canoe without a paddle, but the river’s direction is deliberate. No matter how fast or slow you float, you feel the determination behind what is happening to you. There is reason behind ever dip, turn, rapid, and shallow. I was never bored. My mind never traveled away from the page, as it has during countless other novels. Rothfuss is a masterful story teller.

I love this novel and its predecessor The Name of the Wind was just as intoxicating. I found no flaw in either novel, and you folks know how much I enjoy finding flaws. Rothfuss is officially the top of my favourites list. (A certain friend’s husband will likely be throwing an “I told you so” or two my way for this).

If you haven’t already, pick up a Rothfuss and dive into Kvothe’s world, you won’t regret it.